All posts by katharina kropshofer

Andrea Grill

“You can dance even if you can’t dance. You can also understand something and not understand it at the same time – think of the evolution of the human brain, while living with one. It is in this paradox that dancing and scientific thinking touch each other. Bouncing back and forth between knowing and not knowing is the daily business of researchers. And from these movements spring, for me, the joy and strength of scientific research. Try it out, in the sober environment of a lab and on the dance floor of a ballroom.”

Our eighth testimonial, Andrea Grill, works as an author and evolutionary biologist. She teaches at the University of Vienna and Salzburg, where she researches – among other things – how anthropogenic changes in landscape can alter the behavior of butterflies. In her book “Butterflies” she tries to make that factual knowledge available for a broader audience. The book has been translated into several languages and she received several awards for her novels. In the near future her first children’s book about the life of a carnivorous plant will be published by the Vienna publisher Luftschacht Verlag.

Foto (c): privat / Paul Zsolnay Verlag

Julia Ebner

(c) Daniel Novotny

“In times of viral fake news and the online spread of conspiracy theories, we need to ascribe science a new role to prevent a flashback from logos to mythos. Vienna is good at science, Vienna likes to dance – the Vienna Ball of Sciences is combining these two strengths. It shows how much fun it can be to create knowledge instead of ignorance, and to understand complex connections instead of being satisfied with simplified depictions of reality.”

The Austrian Julia Ebner researches extremism and terrorism and is a Research Fellow at the  Institute for Strategic Dialogue in London. In her book “The Rage” she looks at goals, strategies and motivations of extremists. For her research she acquired covert identities and developed conversations with IS- sympathisers and ultranationalists in online chatrooms.

Foto (c) Daniel Novotny

Herbert Edelsbrunner

(c) Paul Pölleritzer

“A great many smart things have been said about the connection between mathematics and music, so I feel justified in keeping this half-a-page personal. That there is mathematics in music has been amply demonstrated, but equally important is the music that is in mathematics. For unfathomable reasons, the path to a practicing mathematician is long and laborious so most of us do not walk it and do not ever experience the beauty that mathematics exudes. It is very much like that of music, sometimes intoxicating and at other times hampered by dissonances. Indeed, at times it seems unclear why the two are not the same, and why we do not yet have a direct mapping between them that does not appeal to feelings and opinions. Pythagoras apparently claimed ‘there is geometry in the humming of the string, there is music in the spacing of the spheres’. Perhaps he wrote these words in a state in which music and sound took on geometric reality in his mind and he could hear the intricate rock formations on Greek islands.

There is a more concrete thought to be mentioned in this context: both mathematics and music are built on unforgiving rules whose violations imply embarrassment or worse. Paradoxically, this opposition helps in the creation of beauty and perfection. We learn faster if our mistakes are told right away and without ambiguity. Beyond these parallels, there are surely deeper connections between mathematics and music that are tied up in areas of the brain that are not yet accessible to scientific investigation.”

Herbert Edelsbrunner is professor at the Institute of Science and Technology Austria. The mathematician is world-wide considered a pioneer in the fields of Computational Geometry and of Computational Topology.  In 2018, Edelsbrunner was honored with the Wittgenstein prize, Austria’s most prestigious scientific award.

Foto (c) Paul Pölleritzer

Hannah Lutz

(c) PhilippStoisits

“The Vienna Ball of Sciences combines several wonderful things: science, research and the fun of a ball night. Since its first edition the ball has established itself as an important counter event to the Akademikerball and is therefore contributing to science not being pocketed by far-right poltics.

Together we can make sure that right-wing fraternities, right extremists and other nationalists will never again gain the upper hand over science and society. Let us dance, especially against those who repeatedly want to spread their hate in the Hofburg!”

Hannah Lutz is chairwoman for the Austrian Students Association, ÖH. She is studying law at the University of Vienna and was the top candidate for the VSStÖ, Socialist Students of Austria. In the years before she was already a mandatary at the ÖH Wien and spokeswoman for the VSStÖ.

(c) Philipp Stoisits

Karl-Heinz Wagner

(c) Karl Ranger

„The vision of combining science with a societal event like a ball is showing its fruits for the fifth time in form of the Vienna Ball of Sciences. Science and research have not only modernized their methods: more and more young researchers are living their passion of discovering new things and passing on their knowledge to the public. It makes me particularly joyful that part of my research will be presented at this year’s ball in form of regional and qualitative products. Enjoy your night and bon appétit!

Univ.-Prof.Mag.Dr. Karl-Heinz Wagner is Professor for nutritional science and food quality at the University of Vienna. His research focuses on the links between nutrition, health and aging. At this year’s ball – that much be said – he will be introducing superfoods in an interactive way.

Foto: (c) Klaus Ranger

Ursula Hemetek

Ursula Hemetek (c) Doris Piller

„The Viennese ball tradition is without any doubt part of this city. Different communities make use of this to ensure their feeling of belonging and to transport messages. These communities are of interest to ethnomusicologists because we can interpret their musical demonstrations and ascribe meaning to them. At different balls you will also hear different performances, so it becomes a unique emblem. But you can also find common patterns in the sequence of every ball: the introduction, Quadrille and midnight events are just some examples. The Vienna Ball of Science probably still has to develop its musical identity since something like this takes years. But there is definitely not a lack of corporate identity within the scientific community – and that should stay that way.”

Ursula Hemetek is head of the Department of Folk Music Research and Ethnomusicology at the University of Music and Performing Arts Vienna. 2018 she was awarded the prestigious Wittgenstein Prize for her research in the field of minorities within ethnomusicology.

Foto: Doris Piller

Franz Kerschbaum

(c) Karl Leitner

“Maybe Nicolaus Copernicus already mentioned in 1543 in his most important work ‘On the Revolutions of the Celestial Spheres’ a connection between the movements of our planets in the solar system and those during the Viennese Waltz? ‘Alles Walzer’, meaning ‘let the waltz begin’, or rather the reverse waltz is also true for our eight planets. Thus, as an astronomer, I am all the more pleased to be taking place in an elated, colorful, vibrant, moving and also important Vienna Ball of Sciences 2019.”

Univ.Prof.Dr. Franz Kerschbaum (Foto © Karl Leitner) is working as an astrophysicist at the University of Vienna. His research focuses on space instrumentation, late stages of stellar evolution and the History of Astronomy. The communication and enthusiasm for astronomy and science in general, is one of his main objectives. To do that, he also engages in excellent photography, as this gallery shows:

Lilli Hollein

„Design – for most people – means creation in the sense of arranging something in a nice way. That might be the right thing for a ball night but on the intersection of science and design, it certainly isn’t all about decor. Research and experiments can unify this field, within design and science these people are helping our advancement. Interdisciplinary exchange can spark our imagination – and something that happens in three-four time on the dancefloor.“

Lilli Hollein is the festival director of the renowned Vienna Design Week. Since 1996 she is also works as a curator, author and journalist in the area of architecture and design. Together with Tulga Beyerle und Thomas Geisler she founded the group „Neigungsgruppe Design“. They organise conferences at the University of Applied Arts Vienna and brought the Vienna Design Week to life.

Foto: ©Katharina Gossow